This is some of my production on film studies developed in books, book chapters or articles. Although the titles are in English, most of them have been published in Spanish:
Books
Audiovisual Storytelling, Editorial UOC, Barcelona, 2006.
Freaks in action. Alex de la Iglesia and film as escape, Calamar Ediciones, Madrid, 2005.
Tim Burton: Tales in Shadows, Ediciones Glénat, Barcelona, 2000.
The Beginning of the End. Trends of the brand new Japanese cinema, Lardín, R.; Sánchez-Navarro, J. (eds.) Barcelona, Paidós, 2003.
Images for Suspicion. Fake documentaries and other pirouettes of nonfiction, Sánchez-Navarro, J.; Hispano, A. (eds.) Barcelona, Ediciones Glénat and Sitges-International Film Festival of Catalonia, 2001.
Book chapters
The intelligence of a predatory machine. Technologies of vision, thinking and virtual reality in Arrebato, in Cueto, R. (ed.) Arrebato 25 years later, Valencia, Ediciones de la Filmoteca, 2006.
New forms in audiovisual narrative, Alberich, J.; Roig, A. (eds.) Digital Audiovisual Communication. New media, new uses, new forms, Barcelona, Editorial UOC, 2005.
Cat Chaser: Insurgency and Reaction, in Casas, Q. (ed.) Abel Ferrara. Addiction, action and reaction, Donostia, International Film Festival of San Sebastian, 2005.
‘R Xmas: Moral chiaroscuro, in Casas, Q. (ed.) Abel Ferrara. Addiction, action and reaction, Donostia, International Film Festival in San Sebastian, 2005.
(Re)construction and (Re)presentation. Hyperconcious Lies and Fake Documentary, in Torreiro, C.; Cerdán, J. (eds.) Documentary and Avant-garde, Madrid, Ed. Cátedra, 2005.
Life is beautiful (if you don’t look at it too closely). Some Brief Notes on Kim Ki-duk’s Cinema, in Elena, A. (ed.) Seoul Express 97-04. The Renewal of Korean cinema, Madrid, T & B, 2004.
In the Company of Wolves. About corrupter classics and other children readings, Lardín R. (ed.), The Day of the Child. Childhood as territory for fear, Madrid, Valdermar, 2003.
Modern and Dangerous. Fear, paranoia and dystopia in contemporary cinema, in Dominguez, V. (ed.) Domains of Fear, Madrid, Biblioteca Nueva, 2002.
The Golem and the Doll. Fantasies of artificial life in German cinema, in VV.AA. Fantasy and Horror German Cinema (1913-1927), Donostia, Donostia Kultura, 2002.
New Zealand Cinema. The paradox of the enormous gap, in VV.AA. Fantípodas. An approach to Australian and New Zealand fantasy film, Barcelona, Paidós, 2002.
Metallic Delusions. Body Morphologies in cyberfiction, in Navarro, A.J. (ed.) The New Flesh. A perverse body aesthetics, Madrid, Valdemar, 2002.
Mockumentary: From the crisis of truth to reality as style, in Sánchez-Navarro, J; Hispano, A (eds.) Images for Suspicion. Fake documentaries and other pirouettes of nonfiction, Barcelona, Ediciones Glénat and Sitges-International Film Festival of Catalonia, 2001.
